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WATER ›

The photo & video installation WATER IMAGES and the performative theater piece WATER BODY form the framework of a poetic tribute to the basis of our existence: water. Director Véronique Elling and actress Andrea Rudolf want to raise awareness for sea protection and for a sustainable use of drinking water.

– PREMIERE 2022

MARIE-ANTOINETTE ›

In this humorous socio-critical multimedia theater performance, director Véronique Elling and actress Sophie Elise Hummrich explore the grotesque excesses and pitfalls of a society dominated by consumerism and self-promotion. Aren’t we all a little bit Marie-Antoinette?

– PREMIERE 2022

CONFINED ›

Based on Lorca’s female tragedy  THE HOUSE OF BERNARDA ALBA and on the personal biographies of the actresses, the women’s ensemble around director Véronique Elling questions the mechanisms and structures of a repressive patriarchal social order.

– PREMIERE 2020

LUST ›

Schnitzler’s THE ROUND spins the comedic leitmotiv of this circus-inspired firework of desire and longing. In the process, the young ensemble around director Véronique Elling explores their own individual desire to express themselves freely and create with a great deal of wit and dedication. What drives us? What makes our lives worth living?

– PREMIERE 2017

WATER ›

The photo & video installation WATER IMAGES and the performative theater piece WATER BODY form the framework of a poetic tribute to the basis of our existence: water. Director Véronique Elling and actress Andrea Rudolf want to raise awareness for sea protection and for a sustainable use of drinking water.

– PREMIERE 2022

CONFINED ›

Based on Lorca’s female tragedy THE HOUSE OF BERNARDA ALBA and on the personal biographies of the actresses, the women’s ensemble around director Véronique Elling questions the mechanisms and structures of a repressive patriarchal social order.

– PREMIERE 2020

MARIE-ANTOINETTE ›

In this humorous socio-critical multimedia theater performance, director Véronique Elling and actress Sophie Elise Hummrich explore the grotesque excesses and pitfalls of a society dominated by consumerism and self-promotion. Aren’t we all a little bit Marie-Antoinette?

– PREMIERE 2022

LUST ›

Schnitzler’s THE ROUND spins the comedic leitmotiv of this circus-inspired firework of desire and longing. In the process, the young ensemble around director Véronique Elling explores their own individual desire to express themselves freely and create with a great deal of wit and dedication. What drives us? What makes our lives worth living?

– PREMIERE 2017